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Customs House Tour

GOOGLE MAP - SLIDE #) DESCR [word count]
View Google Maps for this location (in new window)  1) Customs House Map [16]
View Google Maps for this location (in new window)  2) U.S. Customs House Exterior - Cass Gilbert [440]
View Google Maps for this location (in new window)  3) U. S. Customs House Exterior [92]
View Google Maps for this location (in new window)  4) Sculptures 'Greece' & 'Rome' by Francis Edwin Elwell [392]
View Google Maps for this location (in new window)  5) 'Phoenicia' Sculpture by Frederick Wellington Ruckstull - 'Genoa' Sculpture by Henry August Lukeman [150]
View Google Maps for this location (in new window)  6) 'Venice' & 'Spain' Sculptures by Francis and Mary Lawrence Tonetti [137]
View Google Maps for this location (in new window)  7) Cartouche Sculpture by Karl Bitter [85]
View Google Maps for this location (in new window)  8) 'Holland' & 'Portugal' Sculptures by Louis Saint-Gaudens - Maarten Harpertszoon Tromp [307]
View Google Maps for this location (in new window)  9) 'Norway' & 'Germany' (then) 'Belgium' Sculptures - Johannes S. Gelert - Albert Jaeger - Cass Gilbert - WWI [214]
View Google Maps for this location (in new window)  10) 'France' & 'England' Sculptures by Charles Grafly - Queen Victoria [116]
View Google Maps for this location (in new window)  11) 'Asia' Sculpture by Daniel Chester French, Adolph A. Weinman and Andrew O'Connor Jr. [123]
View Google Maps for this location (in new window)  12) 'Asia' Sculptue - Buddha [75]
View Google Maps for this location (in new window)  13) 'Asia' Sculpture by Daniel Chester French [113]
View Google Maps for this location (in new window)  14) Entrance [105]
View Google Maps for this location (in new window)  15) 'America' Sculpture by Daniel Chester French, Adolph A. Weinman & Andrew O'Connor Jr. [83]
View Google Maps for this location (in new window)  16) 'America' Sculpture by Daniel Chester French - Native American Indian [74]
View Google Maps for this location (in new window)  17) 'America' Sculpture - 'Labor' Figure by Daniel Chester French [107]
View Google Maps for this location (in new window)  18) 'America' Sculpture - Native American pottery [76]
View Google Maps for this location (in new window)  19) 'Europe' Sculpture by Daniel Chester French - Piccirilli Brothers [122]
View Google Maps for this location (in new window)  20) 'Europe' Sculpture by Daniel Chester French - Tennessee Marble [78]
View Google Maps for this location (in new window)  21) 'Europe' Sculpture - 'Ancient History' [77]
View Google Maps for this location (in new window)  22) 'Africa' Sculpture by Daniel Chester French [69]
View Google Maps for this location (in new window)  23) 'Africa' Sculpture by Daniel Chester French - Egypt [75]
View Google Maps for this location (in new window)  24) 'Africa' Sculpture by Daniel Chester French - Lion [73]
View Google Maps for this location (in new window)  25) 'Mercury' Sculpture [219]
View Google Maps for this location (in new window)  26) 'Africa' Head Sculpture [44]
View Google Maps for this location (in new window)  27) 'America' Head Sculpture [47]
View Google Maps for this location (in new window)  28) 'Europe' Head Sculpture [47]
View Google Maps for this location (in new window)  29) 'Asia' Head Sculpture [17]
View Google Maps for this location (in new window)  30) 'American Indian' Head Sculpture [35]
View Google Maps for this location (in new window)  31) Interior [23]
View Google Maps for this location (in new window)  32) Nautical Motif [32]
View Google Maps for this location (in new window)  33) Rotunda Nautical Murals by Reginald Marsh [605]
View Google Maps for this location (in new window)  34) Rotunda – Tug Boat Mural [308]
View Google Maps for this location (in new window)  35) Rotunda – Cargo Mural [53]
View Google Maps for this location (in new window)  36) Rotunda – Ambrose Mural [182]
View Google Maps for this location (in new window)  37) Rotunda – Night Boarding Mural by Reginald Marsh - Painting of Adriaen Block [259]
View Google Maps for this location (in new window)  38) 'Calumet Tug meets SS Washington' signed by Reginald Marsh 1937 [399]
View Google Maps for this location (in new window)  39) Rotunda Mural – 'Boarding' Mural by Reginald Marsh [53]
View Google Maps for this location (in new window)  40) Rotunda – East View [29]
View Google Maps for this location (in new window)  41) Rotunda – 'The Press Meeting a Celebrity' Mural [101]
View Google Maps for this location (in new window)  42) Rotunda Skylight [30]
View Google Maps for this location (in new window)  43) Customs House Exterior [45]
View Google Maps for this location (in new window)  44) United States Line Building [274]
View Google Maps for this location (in new window)  45) United States Line Building - Cabin Class [31]
View Google Maps for this location (in new window)  46) United States Line Building - First Class Entrance [40]
View Google Maps for this location (in new window)  47) United States Line Building [14]
View Google Maps for this location (in new window)  48) Standard Oil Building - John D. Rockefeller [86]
View Google Maps for this location (in new window)  49) 'Charging Bull' Sculpture by Arturo Di Modica [249]

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Rotunda – Ambrose Mural -- Customs House, New York City, New York
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Customs House - New York City, New York
Rotunda – Ambrose Mural



Seen here in the over-door mural is a large passenger liner with the light ship Ambrose. The liner is long gone. The Ambrose is still with us and is docked at the nearby South Street Seaport Museum on the East River. The Ambrose was built in 1907 in Camden N.J. by New York Shipbuilding Co., to guide ships safely from the Atlantic Ocean into the broad mouth of lower New York Bay, between Coney Island, New York and Sandy Hook, New Jersey. The area was filled with sandbars and shoals invisible to approaching vessels. Normally a lighthouse was used for illumination, but there, because the water was too deep and the bottom too soft, this floating alternative was devised. For illumination, a cluster of three oil lens lanterns was raised on each masthead. The Ambrose occupied her intended station until 1933. Afterwards, she served as the Scotland lightship closer to Sandy Hook, N. J., until 1963. She was given to the South Street Seaport Museum by the U.S. Coast Guard in 1968.

On the left is Henry Hudson. Reginald Marsh was the artist.





Henry Hudson
(b. 1570 England – d. Hudson Bay, Canada 1611)
was an English explorer and navigator who explored parts of the Arctic Ocean and northeastern North America. The Hudson River, Hudson Strait, and Hudson Bay are named for Hudson. He was hired by the Muscovy Company in 1607, to find a waterway from Europe to Asia. Hudson made two trips (in 1607 and 1608) but failed to find a route to China. In 1607, he sailed to Spitzbergen (an island north of Scandinavia in the Arctic Ocean) and discovered Jan Mayen Island (an island off eastern Greenland). In 1608, he sailed to Novaya Zemlya (an island north of Russia in the Arctic Ocean).

He was hired by the Dutch East India Company in 1609 to try to find the Northwest Passage farther south. In his ship the Half Moon, Hudson sailed to Nova Scotia, and then turned and sailed south. He sailed into New York's harbor on Sept. 3, 1609 (Verrazano sailed by the area in 1524), and noted that it was an excellent harbor. He sailed up river (Hudson River) 150 miles and noted the fertile land, but realized it was not a route to India. His reports resulted in the Dutch settling the area.

A 1610-1611 trip through the Hudson Strait and into Hudson Bay ended in a mutiny after the ship was trapped there for a winter. In 1611, the crew left Hudson, his son, and seven crew members adrift in a small, open boat in Hudson Bay. They were never seen again.


Reginald Marsh
(b. 1898 Paris – d. Dorset, VT 1954)

was a painter, printmaker and illustrator. His parents were Americans artists. In 1920, he graduated from Yale University where he was art editor and cartoonist for the Yale Record. He moved to New York and became staff artist for Vanity Fair and the New York Daily News. By 1923, he was painting New York street scenes. The Whitney Studio Club had a one-man show of his work in 1924. Marsh worked at the New Yorker magazine from 1925-31. He studied in Europe and at the Art Students League. Thomas Hart Benton showed him how to use egg tempera, the medium Marsh used in his 1930s street scenes. His important paintings include 'The Bowery' (1930), 'Tattoo and Haircut' (1932), 'The Park Bench' (1933) and 'Negroes on Rockaway Beach' (1934).






Copyright 1999 - 2010, Museum Planet (content) and BOLDfx (programming) unless otherwise noted.
All rights reserved.









Copyright 1999 - 2010, Museum Planet (content) and BOLDfx (programming) unless otherwise noted.
All rights reserved.